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会場：友愛館Y-002教室・15:20〜16:00

平石貴士（立命館大学大学院社会学研究科後期博士課程）

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本報告は、フランスの社会学者ピエール・ブルデューの界理論を使いながら、日本の商業音楽の界をマッピングすることを試みる。はじめに、ブルデューの界理論の要約を提示し、次にオリコン株式会社のCD売上げデータを元にサンプリングしたアーティストの位置空間についてのマッピングを行う。

界という概念は、ブルデューにおいて、ハビトゥス、資本、実践などの著名な概念と並ぶ中心的な概念である(『ディスタンクシオン』（1979=1991）『芸術の規則』(1992=1996))。 (さらに…)