カルロス・ベガの民謡・舞踊研究――ノンポリ音楽学者による「アルゼンチン文化」像の構築


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会場:友愛館Y-002教室・14:00〜14:40

遠藤健太(名古屋大学大学院博士後期課程 日本学術振興会特別研究員DC2)


カルロス・ベガ(Carlos Vega, 1898-1966)は、アルゼンチンをはじめとする南米各地に伝わる民謡や舞踊の収集・体系化という先駆的な仕事を成したことで知られ、「アルゼンチン音楽学の開祖」と称されるとともに、近代科学としての民俗学の理論・方法論の立役者ともなった人物である。ベガの民謡・舞踊研究は、アルゼンチンおよびラテンアメリカ諸国の音楽学者・民俗学者らに多大な影響を及ぼしたばかりでなく、アルゼンチンの一般の人々の間にも流布して、通念としての「アルゼンチン文化」像の構築というべき働きをも成したと言える。 (さらに…)

ブルデューの界理論に基づく現代日本のポピュラー音楽の界の構築


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会場:友愛館Y-002教室・15:20〜16:00

平石貴士(立命館大学大学院社会学研究科後期博士課程)


本報告は、フランスの社会学者ピエール・ブルデューの界理論を使いながら、日本の商業音楽の界をマッピングすることを試みる。はじめに、ブルデューの界理論の要約を提示し、次にオリコン株式会社のCD売上げデータを元にサンプリングしたアーティストの位置空間についてのマッピングを行う。

界という概念は、ブルデューにおいて、ハビトゥス、資本、実践などの著名な概念と並ぶ中心的な概念である(『ディスタンクシオン』(1979=1991)『芸術の規則』(1992=1996))。 (さらに…)